A wave of protests has erupted in parts of Ghana following the installation of Eze Chukwudi Ihenetu as “Eze Ndi Igbo Ghana” (King of Igbo People in Ghana), igniting debate over the implications of foreign community leadership within the country.
The backlash, led primarily by youth groups in Accra and the Eastern Region, intensified after photos of Eze Ihenetu’s lavish palace in Accra began circulating online. The images, which depict ornate architecture and traditional regalia, have fueled fears among some Ghanaians that the ceremonial role could evolve into a parallel chieftaincy structure that challenges national sovereignty.
Demonstrators bearing signs like “No Foreign Thrones in Ghana” and “Honour Our Heritage” have taken to the streets, expressing concern that foreign traditional titles undermine the sanctity of Ghana’s indigenous chieftaincy system. According to GhanaWeb, critics argue that accepting such monarchs could open the door for other foreign groups to install their own traditional rulers.
Adding to the controversy are unverified claims suggesting plans to develop a 50-acre “Igbo town” or even a so-called “Igbo kingdom” in Old Ningo—allegations that have sparked further alarm among protestors.
“This is a worrying trend,” said a critic in a video shared by BIGMAN TV. “Ghana is a sovereign nation. Our chiefs and kings are deeply rooted in our history and land. The idea of a foreign throne functioning on Ghanaian soil is unacceptable.”
Public reaction was further stirred after a video surfaced online showing Ghanaian media personality Captain Smart kneeling before Eze Ihenetu during a cultural ceremony, drawing mixed responses on social media.
Some Ghanaians have called on the Ministry of Chieftaincy and Religious Affairs to investigate and clarify the legal standing of such foreign royal titles, questioning whether Ghanaian law permits non-citizens to assume monarchical roles—even if symbolic.
In response, Eze Ihenetu and members of the Igbo community in Ghana have emphasized that the kingship is purely ceremonial, designed to promote unity and cultural identity among Nigerians in the diaspora.
“This throne is not political. It has no territorial claims,” Eze Ihenetu said in a recent interview. “It exists to represent and unify Igbos in Ghana and to protect and project our culture. We fully respect Ghana’s laws and traditions.”
Despite these assurances, tensions remain high as discussions continue over the limits of cultural expression within a sovereign host nation.
